Story ARC · Short film · 2020

One SweetNight

Detroit · September 9, 1925

Dr. Ossian Sweet and his wife Gladys are spending their second night in a new home on an all-white street. Trapped inside by a violent mob, the family fractures over how to survive a night of racial terror — igniting one of the first fights against housing segregation in America.

IMDb 8.2
20 min
10 festival selections
Starring J.D. Williams
Dr. Ossian Sweet standing in the doorway of his home, lit by a single lamp.
The view from the street · 2905 Garland Ave

Eleven people were inside that house. Hundreds were outside it. When the shooting stopped, every one of the eleven was charged with murder — and Clarence Darrow came to Detroit to defend them.

Based on true events

Official trailer

Two minutes on Garland Street.

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Directed by Daniel F. Pfeffer · Written & executive produced by Andrew R. Colom

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The true story

What happened on Garland Street.

  1. Summer 1925

    Ossian Sweet — born in Bartow, Florida, trained at Howard, practicing medicine in Detroit's Black Bottom — buys the brick bungalow at 2905 Garland for $18,500.

  2. September 8, 1925

    Sweet, Gladys, and their one-year-old daughter Iva move in. Family and friends stay the night with them. A crowd is already on the corner.

  3. September 9, 1925

    Hundreds of white residents fill the street and the schoolyard across from the house. Stones come through the windows. Police stand by.

  4. That night

    Shots are fired from an upstairs window. Leon Breiner, standing across the street, is killed. A second man is wounded.

  5. Hours later

    All eleven people inside the house are arrested and charged with first-degree murder — including Gladys.

  6. November 1925

    The NAACP hires Clarence Darrow. Judge Frank Murphy presides. The first trial ends in a hung jury.

  7. May 1926

    An all-white jury acquits Henry Sweet. The charges against everyone else are dropped. The case becomes a landmark in the fight against housing segregation.

One Sweet Night film poster with festival laurels.

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From the film

Lamplight, lace, and a street full of people.

Ossian Sweet at the card table with his guests.
Henry Sweet at the window as the crowd gathers.
Gladys Sweet mid-argument in the front room.
Hewitt Watson holding court over dinner.
Detroit police officers filling the Sweets' hallway.

Cast & crew

Who made it.

Cast

J.D. WilliamsDr. Ossian Sweet
Tanya EverettGladys Sweet
Christian GoodieHenry Sweet
Aqeel Ash-ShakoorHewitt Watson
Bart SumnerDetective Hayes
Justin VespersInspector Schuknecht
Emory LawrenceInsuranceman

Crew

Andrew R. ColomWriter · Exec. Producer
Daniel F. PfefferDirector
Tinisha BrugnoneProducer
David AladeProducer
Jeremy BrockmanDirector of Photography
Ana NovacicProduction Designer
Eli GoldArt Director
Heather Ryan ThomsonCostume Designer
Lily KleinmanEditor
Lara SfireGaffer
Ron Rose MilagroSound Designer & Mixer

Official selections

Official selectionOxford Film Festival2021
Official selectionRSF Martha's Vineyard African American Film Festival2020
Official selectionSan Antonio Black International Film Festival2021
Official selectionLas Vegas Black Film Festival2020
Official selectionSan Francisco Black Film Festival2020
Official selectionBaltimore International Black Film Festival2020
Official selectionInternational Black Film Festival2020
Official selectionUrban Mediamakers Festival2020
Official selectionDetroit FREEP Film Festival2020
Honorable mention · Most artisticTrinity Detroit International Film Festival2020

Page · Board · Frame

One moment, three times.

The rock through the bedroom window was written, drawn, and shot — years apart, by different hands, all trying to land the same second.

01 · The page Andrew R. Colom

Int. Ossian Sweet bedroom — continuous

Gladys Sweet

They can try to make us miserable and scare us but they can't make us leave.

A rock blasts through the window across from their bed, spreading glass all over the room. The mob outside breaks into cheers.

The mob outside (O.S.)

Leave Garland now! Leave Garland now!

Ossian jumps to the other side of the bed and hides behind it. Gladys stands in shock.

02 · The board Ana Novacic Storyboard panel: Gladys at the shattered window as a brick comes through.
03 · The frame Jeremy Brockman Film frame: Gladys after the glass, cut above the eye.
Storyboard panel: Gladys kneeling at the bed, seen through the doorway.
Film frame: Gladys kneeling at the bed in lamplight.

Board and frame · Gladys alone in the bedroom

Storyboard panel: Ossian lying awake, hand over his face.
Film frame: Ossian lying awake beside Gladys.

Board and frame · After the police leave

From the storyboards

Ana Novacic drew the film twice over — first as boards, then as the production design the camera actually pointed at.

Storyboard panel: Ossian arguing, hand to his chest. Storyboard panel: close on Gladys, glass in her hair. Storyboard panel: the couple at the broken window, glass across the floor. Storyboard panel: Gladys standing over Ossian on the bed.

Storyboards

The film, drawn first.

Ana Novacic boarded it shot by shot before anyone rolled a camera — the drive down Garland, the boxes still taped shut, the neighbours gathering, the argument on the porch. The numbers are the real shot codes off the boards.

Storyboard shot 1A: joe mack drives him home.
1AJoe Mack drives him home
Storyboard shot 1B: boys outside the barber shop.
1BBoys outside the barber shop
Storyboard shot 1C: ossian watches the street.
1COssian watches the street
Storyboard shot 1D: the big houses, on the way.
1DThe big houses, on the way
Storyboard shot 1E: alone in the back seat.
1EAlone in the back seat
Storyboard shot 2A: 2905 garland.
2A2905 Garland
Storyboard shot 2B: the front door.
2BThe front door
Shot 01 of 07
"We can protect ourselves in our own home. That's the law."Henry Sweet · Scene 6

Behind the scenes

A period house, a Model T, and a crew that gave up its summer.

Every room was dressed to 1925 — wallpaper, lace, oil lamps, a police squad in wool coats in the heat of August. The film was shot in a real bungalow, in real Detroit neighborhoods.

J.D. Williams in costume with the production team between takes.
Camera crew setting up a shot around a period Ford.
Crew watching a take at the monitor.
Makeup department preparing an actor on set.

Why it still matters

The house is still standing.

2905 Garland was added to the National Register of Historic Places in 1985. It has since been restored by the Dr. Ossian H. Sweet Foundation to open to the public, and in August 2025 the city unveiled the Dr. Ossian Sweet Memorial Park beside it — a hundred years after the mob.

The film has screened alongside panels, classrooms, and community conversations across Detroit, including the centennial staging of The Ossian Sweet Story: 100 Years of Courage in September 2025.

If you want the film for a screening, a class, or an event, write to info@storyarc.com.

Panel discussion following a screening of One Sweet Night. The One Sweet Night team at the film's premiere.

Twenty minutes. One night. One house.

See the night that started the fight.

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